Showing posts with label Grimm. Show all posts
Showing posts with label Grimm. Show all posts
Saturday, April 1, 2017
NBC's "Grimm": thoughts on the season finale
After five and a half seasons, NBC's "Grimm" came to an end last night, in an episode titled appropriately "The End." I've watched every episode, from the somewhat lackluster first season, to the peaks of the third and fourth seasons, and to the very end. I did so in part because this was one of the few TV shows filmed and set in Portland, so I felt a sense of geographic loyalty. But I also enjoy these sorts of action/suspense/serialized shows, and "Grimm" did become more serialized after the first season's "wesen of the week" format.
[SPOILERS TO FOLLOW]
Tuesday, January 17, 2017
TV Guide's list of best shows set in different U.S. cities, and my brief thoughts
TV Guide has a slideshow that lays out its view of the best TV shows set in different American cities. For some of the non-coastal cities, there might have been just one show, making it not a difficult choice. I didn't realize, for example, that "One Day at a Time" was set in Indianapolis. And as cool as Albuquerque is, it's obvious that "Breaking Bad" is going to be the representative for that town.
I'm not going to go through all 38 selections, but I am going to comment on the ones for the cities I've lived in. At the outset, note that the criteria for TV Guide was "favorite TV show for each," not necessarily most iconic depiction.
Los Angeles
TV Guide picked "New Girl." Really? I'll admit, I've never watched it because of my prejudice against 30 minute shows, but L.A. has been the setting for a ton of shows, including:
* "24"
* "The A-Team"
* "Alias"
* "Angel"
* "Bosch"
* "CHiPs"
* "The Greatest American Hero"
* "MacGyver"
* "Moonlighting"
* "Remington Steele"
* "The Rockford Files"
* "The Shield"
and many others. I'm not saying those are all good shows, but I'd rather watch any of them than "New Girl." If you want verisimilitude, I'd go with "The Shield" or "Bosch." But of course, if it's just my favorite show set in L.A., well, that's obviously going to be "24."
San Francisco
Technically, I never lived in San Francisco, but rather across the Bay. TV Guide picked "Full House," another show that I've never watched. Again, the City is a popular locale for shows:
* "The Adventures of Brisco County, Jr."
* "Charmed"
* "Midnight Caller"
* "Monk"
* "Party of Five"
* "The Streets of San Francisco"
I would've gone with "Charmed," which was another one of those shows that dipped its toes into serialized storytelling and was better for it.
Oklahoma City
TV Guide didn't include this, but there actually was a show set in OKC - "Saving Grace" with Holly Hunter. I never watched it, so can't comment on it.
San Diego
Poor San Diego - probably the best city to live in the continental U.S. (if you can afford it), but perpetually overshadowed by L.A. TV Guide picked "The Fosters," which I've never even heard of. I would've picked "Simon & Simon," which I think captured San Diego's laid back attitude, or maybe the Lorenzo Lamas guilty pleasure "Renegade." I've heard great things about "Terriers" and need to catch on that short-lived show, also set in San Diego.
Iowa City
There are some shows set in the state of Iowa, but none that caught TV Guide's attention, nor mine. As far as I know, none of them was set in Iowa City, which is kind of weird, since Iowa City is a really good stand-in for your average Midwestern Big Ten college town.
Portland
It's either "Grimm" or "Portlandia," and I only watch "Grimm" out of those two, so I'd concur in the pick. Of course, as silly as "Portlandia" makes us out to be, I still hope it's a more accurate depiction, or else I'm surrounded by creepy wesen....
Bonus:
I've never lived in Seattle, but I'd pick "The 4400" to represent the Emerald City. "Grey's Anatomy" (TV Guide's choice) is certainly understandable, but I loved X-Files-like aspect of "The 4400." Too bad it was canceled on a cliffhanger. It's a good thing that the show's producers licensed follow-up novels that provided some closure to the story.
I'm not going to go through all 38 selections, but I am going to comment on the ones for the cities I've lived in. At the outset, note that the criteria for TV Guide was "favorite TV show for each," not necessarily most iconic depiction.
Los Angeles
TV Guide picked "New Girl." Really? I'll admit, I've never watched it because of my prejudice against 30 minute shows, but L.A. has been the setting for a ton of shows, including:
* "24"
* "The A-Team"
* "Alias"
* "Angel"
* "Bosch"
* "CHiPs"
* "The Greatest American Hero"
* "MacGyver"
* "Moonlighting"
* "Remington Steele"
* "The Rockford Files"
* "The Shield"
and many others. I'm not saying those are all good shows, but I'd rather watch any of them than "New Girl." If you want verisimilitude, I'd go with "The Shield" or "Bosch." But of course, if it's just my favorite show set in L.A., well, that's obviously going to be "24."
San Francisco
Technically, I never lived in San Francisco, but rather across the Bay. TV Guide picked "Full House," another show that I've never watched. Again, the City is a popular locale for shows:
* "The Adventures of Brisco County, Jr."
* "Charmed"
* "Midnight Caller"
* "Monk"
* "Party of Five"
* "The Streets of San Francisco"
I would've gone with "Charmed," which was another one of those shows that dipped its toes into serialized storytelling and was better for it.
Oklahoma City
TV Guide didn't include this, but there actually was a show set in OKC - "Saving Grace" with Holly Hunter. I never watched it, so can't comment on it.
San Diego
Poor San Diego - probably the best city to live in the continental U.S. (if you can afford it), but perpetually overshadowed by L.A. TV Guide picked "The Fosters," which I've never even heard of. I would've picked "Simon & Simon," which I think captured San Diego's laid back attitude, or maybe the Lorenzo Lamas guilty pleasure "Renegade." I've heard great things about "Terriers" and need to catch on that short-lived show, also set in San Diego.
Iowa City
There are some shows set in the state of Iowa, but none that caught TV Guide's attention, nor mine. As far as I know, none of them was set in Iowa City, which is kind of weird, since Iowa City is a really good stand-in for your average Midwestern Big Ten college town.
Portland
It's either "Grimm" or "Portlandia," and I only watch "Grimm" out of those two, so I'd concur in the pick. Of course, as silly as "Portlandia" makes us out to be, I still hope it's a more accurate depiction, or else I'm surrounded by creepy wesen....
Bonus:
I've never lived in Seattle, but I'd pick "The 4400" to represent the Emerald City. "Grey's Anatomy" (TV Guide's choice) is certainly understandable, but I loved X-Files-like aspect of "The 4400." Too bad it was canceled on a cliffhanger. It's a good thing that the show's producers licensed follow-up novels that provided some closure to the story.
Monday, December 14, 2015
Random thoughts about fall 2015 TV shows
Most of my current TV shows are entering hiatus, having aired their winter finales. I've got questions about them. [SPOILERS AHEAD for "Grimm," "Supergirl," "Marvel's Agents of SHIELD," and "Once Upon a Time."]
- On "Grimm," there is a mayoral candidate who's been on the City Council for the past 8 years, and claims his district is #1 in terms of job growth. Considering that "Grimm" is not just set in Portland but also filmed here, you would think the writers would've been able to figure out that Portland elects its city councilmembers at-large, not by district.
- I get that Supergirl is largely invulnerable because of her Kryptonian background and something about the sun's yellow radiation, but her costume is made from Terran materials. When she steps in front of an out-of-control train and uses herself to slow it down, how do her boots not get eroded to nothing by friction?
- One of the results of watching as much TV as I do is that I start recognizing potential twists because, at a meta-level, it's what would be surprising. In "Agents of SHIELD," the Hydra sleeper Grant Ward takes nerd Fitz and some Hydra redshirts to the alien planet via the black monolith portal, in an effort to grab the alien god or something. Fitz's unrequited love Simmons spent several years on the alien planet, surviving only because of the presence of stranded human astronaut Will, with whom she fell in love. Fitz finds the astronaut's underground home, tries to escape from Ward, but ends up getting himself and Will captured. Hmm, I thought, I wonder if that's really the astronaut ... or if he's the alien god? Sure enough, "Will" turned out to be just a shell, with the real human having been killed covering Simmons' previous escape. And when Fitz "killed" the body with a flaregun, we later saw a silvery substance slither out of the charred remains - all of which reminded me of the black oil from "The X-Files" and the body-stealing alien from the underrated sci-fi horror flick The Hidden.
- In the resolution to "Once Upon a Time's" "Dark Swan" arc, Emma gets freed of the darkness when Captain Hook sacrifices himself to stop the revived Dark Ones, by sucking them into the sword Excalibur, which he then begs Emma to use to kill him. She does, but only later does she learn that Rumplestiltskin charmed the sword to become a conduit, rather than a vacuum, so that all of the darkness flowed into him, reinvigorating him as an uber-Dark One. Emma forces him to help her open a portal to the Underworld so she can rescue Hook; he agrees to do so because she threatened to reveal his treachery to his love Belle. All fine and well, but in the next scene, it's not just Emma and Rumple at the river Styx. Snow White, Charming, Regina, Robin Hood, and Henry are all there! Now, first of all, why oh why would you bring Henry on a journey to the freaking underworld?!? But more importantly, how does Emma explain to the others that Rumple can open a portal to the underworld? Doesn't this mean the others also know that he's back to being the Dark One?
UPDATE (12/15): Is Kara Danvers' (aka Supergirl) catty boss Cat Grant the smartest human ever in comic book TV history? I realize that Kara puts on glasses and ties her hair back in the ponytail to "disguise" herself, so it's a good thing she doesn't give in to vanity to get contact lenses. But Cat notices some interesting coincidences, corners Kara, and asks her to take her glasses off.... Wow, someone in a comic book show actually figured out a superhero's identity by, you know, observing things!
- On "Grimm," there is a mayoral candidate who's been on the City Council for the past 8 years, and claims his district is #1 in terms of job growth. Considering that "Grimm" is not just set in Portland but also filmed here, you would think the writers would've been able to figure out that Portland elects its city councilmembers at-large, not by district.
- I get that Supergirl is largely invulnerable because of her Kryptonian background and something about the sun's yellow radiation, but her costume is made from Terran materials. When she steps in front of an out-of-control train and uses herself to slow it down, how do her boots not get eroded to nothing by friction?
- One of the results of watching as much TV as I do is that I start recognizing potential twists because, at a meta-level, it's what would be surprising. In "Agents of SHIELD," the Hydra sleeper Grant Ward takes nerd Fitz and some Hydra redshirts to the alien planet via the black monolith portal, in an effort to grab the alien god or something. Fitz's unrequited love Simmons spent several years on the alien planet, surviving only because of the presence of stranded human astronaut Will, with whom she fell in love. Fitz finds the astronaut's underground home, tries to escape from Ward, but ends up getting himself and Will captured. Hmm, I thought, I wonder if that's really the astronaut ... or if he's the alien god? Sure enough, "Will" turned out to be just a shell, with the real human having been killed covering Simmons' previous escape. And when Fitz "killed" the body with a flaregun, we later saw a silvery substance slither out of the charred remains - all of which reminded me of the black oil from "The X-Files" and the body-stealing alien from the underrated sci-fi horror flick The Hidden.
- In the resolution to "Once Upon a Time's" "Dark Swan" arc, Emma gets freed of the darkness when Captain Hook sacrifices himself to stop the revived Dark Ones, by sucking them into the sword Excalibur, which he then begs Emma to use to kill him. She does, but only later does she learn that Rumplestiltskin charmed the sword to become a conduit, rather than a vacuum, so that all of the darkness flowed into him, reinvigorating him as an uber-Dark One. Emma forces him to help her open a portal to the Underworld so she can rescue Hook; he agrees to do so because she threatened to reveal his treachery to his love Belle. All fine and well, but in the next scene, it's not just Emma and Rumple at the river Styx. Snow White, Charming, Regina, Robin Hood, and Henry are all there! Now, first of all, why oh why would you bring Henry on a journey to the freaking underworld?!? But more importantly, how does Emma explain to the others that Rumple can open a portal to the underworld? Doesn't this mean the others also know that he's back to being the Dark One?
UPDATE (12/15): Is Kara Danvers' (aka Supergirl) catty boss Cat Grant the smartest human ever in comic book TV history? I realize that Kara puts on glasses and ties her hair back in the ponytail to "disguise" herself, so it's a good thing she doesn't give in to vanity to get contact lenses. But Cat notices some interesting coincidences, corners Kara, and asks her to take her glasses off.... Wow, someone in a comic book show actually figured out a superhero's identity by, you know, observing things!
Thursday, December 18, 2014
My recap of the fall 2014 TV season
Now that the fall 2014 TV season is over, pretty much all network shows are going into repeats or hiatus until after the new year, and in some cases, until late winter/early spring. Overall, I thought it was mildly disappointing even compared to recent years, and a far cry from the golden era of the mid-2000 decade, when "24," "Prison Break," "Lost," and "Battlestar Galactica" were all on the air at the same time.
New Shows
There were a number of new shows that I was excited about: "Gotham" (Fox), "How to Get Away With Murder" (ABC), and "Scorpion" (CBS). But "Gotham" ended up being too relentlessly grim and bleak for my tastes; since we know(?) how the show will end, Detective Gordon can't win against the bad guys, and things will just get worse and worse. It certainly seemed well-done, though.
The "How to Get Away With Murder" pilot was anything but boring. Unfortunately, included in "anything" was utter ridiculousness and a complete lack of any likeable characters. It's not that I expected it to be slavishly realistic about law and law school. One of the few law-related shows I enjoyed was "Boston Legal," which was hardly realistic. The difference is that "Boston Legal" didn't even pretend to be serious, whereas "How to Get Away With Murder" seemed to want to be taken seriously.
Finally, "Scorpion" was kind of like "Mission: Impossible" with all nerds + Katharine McPhee. It came across as a show about what Hollywood thinks geniuses are like.* It was okay, though implausible; but somewhere around the eight episode or so, I realized I'd had it running on the TV and had been paying no attention to it. I deleted the season pass and haven't missed it since.
* The scene in the Vegas episode where O'Brien defends himself in the bail hearing by arguing that it would be impossible to find a jury of his "peers" - meaning 190+ IQ persons - was kind of funny, I'll admit.
Oddly, the one new show that I've liked is one I wasn't planning on watching at first, and in fact, I missed its premiere; fortunately, it re-aired the following night. That would be "The Flash" (CW). Granted, as between Marvel and DC comics, I definitely prefer the former, and that bias is probably why I was going to pass on "The Flash." But it's actually a refreshing change from most superhero shows where the main character is brooding, damaged, etc. I just wish they would wrap up the unrequited love storyline....
There are some new shows debuting in the spring, but "Marvel's Agent Carter" is the only one I'm likely to give a chance. Besides, season 5 of "Justified" should be hitting Amazon Prime in a month or so, so I've got that to look forward to for any spare TV watching time.
Returning Shows
I've stuck with "Once Upon a Time" (now in season 4), "The Blacklist" (season 2), "Marvel's Agents of SHIELD" (season 2), "Person of Interest" (season 4), "Survivor," "Scandal" (season 4), "Hawaii 5-0" (season 5), and "Grimm" (season 4).
I did watch a lot of "The Voice" as well, but my HD antenna was having trouble with the NBC feed for a while, and on top of it, I couldn't remember any of the contestants, which is not a good sign for a reality TV competition! I did like the episodes with Taylor Swift as the guest mentor, though. I'd come back to watch the show if they add her as a judge.
As for the rest, "SHIELD" seemed to continue the generally higher level of quality ever since the crossover with Captain America 2: The Winter Soldier. "Person of Interest" too has gotten really good with the heavily serialized story arc of Samaritan vs. the Machine. "Hawaii 5-0" continues to offer outstanding scenery with a mash-up of "The Odd Couple" and the mystery of the week. "Grimm" has sent Trubel off somewhere, leaving it open for a possible spin-off, I suppose. And "Once Upon a Time" remains my favorite show on air right now, although I didn't think the winter finale had anywhere near the same impact as last winter's finale did. Then again, I continue to think last winter's finale should have been the series finale.
New Shows
There were a number of new shows that I was excited about: "Gotham" (Fox), "How to Get Away With Murder" (ABC), and "Scorpion" (CBS). But "Gotham" ended up being too relentlessly grim and bleak for my tastes; since we know(?) how the show will end, Detective Gordon can't win against the bad guys, and things will just get worse and worse. It certainly seemed well-done, though.
The "How to Get Away With Murder" pilot was anything but boring. Unfortunately, included in "anything" was utter ridiculousness and a complete lack of any likeable characters. It's not that I expected it to be slavishly realistic about law and law school. One of the few law-related shows I enjoyed was "Boston Legal," which was hardly realistic. The difference is that "Boston Legal" didn't even pretend to be serious, whereas "How to Get Away With Murder" seemed to want to be taken seriously.
Finally, "Scorpion" was kind of like "Mission: Impossible" with all nerds + Katharine McPhee. It came across as a show about what Hollywood thinks geniuses are like.* It was okay, though implausible; but somewhere around the eight episode or so, I realized I'd had it running on the TV and had been paying no attention to it. I deleted the season pass and haven't missed it since.
* The scene in the Vegas episode where O'Brien defends himself in the bail hearing by arguing that it would be impossible to find a jury of his "peers" - meaning 190+ IQ persons - was kind of funny, I'll admit.
Oddly, the one new show that I've liked is one I wasn't planning on watching at first, and in fact, I missed its premiere; fortunately, it re-aired the following night. That would be "The Flash" (CW). Granted, as between Marvel and DC comics, I definitely prefer the former, and that bias is probably why I was going to pass on "The Flash." But it's actually a refreshing change from most superhero shows where the main character is brooding, damaged, etc. I just wish they would wrap up the unrequited love storyline....
There are some new shows debuting in the spring, but "Marvel's Agent Carter" is the only one I'm likely to give a chance. Besides, season 5 of "Justified" should be hitting Amazon Prime in a month or so, so I've got that to look forward to for any spare TV watching time.
Returning Shows
I've stuck with "Once Upon a Time" (now in season 4), "The Blacklist" (season 2), "Marvel's Agents of SHIELD" (season 2), "Person of Interest" (season 4), "Survivor," "Scandal" (season 4), "Hawaii 5-0" (season 5), and "Grimm" (season 4).
I did watch a lot of "The Voice" as well, but my HD antenna was having trouble with the NBC feed for a while, and on top of it, I couldn't remember any of the contestants, which is not a good sign for a reality TV competition! I did like the episodes with Taylor Swift as the guest mentor, though. I'd come back to watch the show if they add her as a judge.
As for the rest, "SHIELD" seemed to continue the generally higher level of quality ever since the crossover with Captain America 2: The Winter Soldier. "Person of Interest" too has gotten really good with the heavily serialized story arc of Samaritan vs. the Machine. "Hawaii 5-0" continues to offer outstanding scenery with a mash-up of "The Odd Couple" and the mystery of the week. "Grimm" has sent Trubel off somewhere, leaving it open for a possible spin-off, I suppose. And "Once Upon a Time" remains my favorite show on air right now, although I didn't think the winter finale had anywhere near the same impact as last winter's finale did. Then again, I continue to think last winter's finale should have been the series finale.
Monday, May 19, 2014
Thoughts on the season 3 finale of NBC's "Grimm" and speculation about how season 4 will start
Season 3 of NBC's fantasy/thriller "Grimm" is in the books, and it ends with a doozy of a cliffhanger. I've got thoughts on the episode and about how the cliffhanger will be resolved next season.
Saturday, May 17, 2014
Oregonian profile of Jacqueline Toboni (aka Trubel) of NBC's "Grimm"
Oregon Live, which is the online content manager of The Oregonian, has a profile of Jacqueline Toboni, the actress who plays "Trubel" on NBC's "Grimm." It's a pretty neat account of how Toboni scored the guest-starring role while still in college at the University of Michigan:
In a whirlwind few days, Toboni taped herself auditioning for the "Grimm" role on a Saturday, got the call the "Grimm" producers wanted to see her on Sunday morning, and flew out to Los Angeles.It also shows how much of a role luck plays in casting; the co-creator/producer happened to be in Ann Arbor speaking to an acting class because he was visiting his daughter.
So far, I think Toboni has done a really good job at portraying Trubel as a prickly, guarded, Grimm apprentice. I still suspect NBC is weighing a "Grimm: Trubel" spin-off.
Monday, May 5, 2014
NBC's "Grimm": setting us up for a "Trubel" spin-off?
I've watched NBC's fantasy/crime thriller "Grimm" from the very start, admittedly in large part because the show is both set in Portland as well as filmed there. Its basic premise was, at a high level of generality, similar to ABC's "Once Upon a Time" - and both shows debuted in fall 2011. I quickly came to adore "Once Upon a Time" while "Grimm" seemed just okay. It was too much of the "monster of the week." Gradually, however, "Grimm" built up its mythology and longer arcs began to develop. The biggest positive step was to stop having Detective Nick Burkhardt conceal his powers from everyone around him other than his werewolf friend Monroe. Monroe's girlfriend Rosalee (a werecat) has been a useful source of lore and potions, Nick's partner Hank is no longer a befuddled ordinary human with no idea what's really out there (that role is reserved for the poor Sergeant Wu), and most importantly, Nick's girlfriend Juliette has become much less annoying now that she too knows what's going on. On top of it, Nick's mysterious supervisor, Captain Renard, seems to have chosen sides.
But now there is a new addition to the case, the troubled teenager Theresa Rubel, aka Trubel (sound it out). What is the future of Trubel?
Labels:
Grimm,
Once Upon a Time,
spin-offs,
TV
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