NYT rates the 20 best shows since "The Sopranos" -- and my response

A while ago, the New York Times ran an interactive article identifying the 20 best shows (in the author's view) to have aired since "The Sopranos" debuted 20 years earlier.

Several of the shows on NYT list are also on my post-"Sopranos" list -- indeed, some of these would even make my all-time favorite TV show list, including:

• "The Shield": Simply brilliant in terms of how it made you root for who would ordinarily be the antagonists of a show. I felt dirty hoping that corrupt cop Vic Mackey would get away with his schemes, which is a testament to the writing and the acting. Yeah, it wasn't as realistic as "The Wire," but it was far more interesting.
• "Battlestar Galactica": The ending didn't make much sense, and it tended to sag in the middle of each season. But it was so dark, gritty, and intense in its peak episodes, with a more or less continuous story lasting 4+ years (counting the mini-series and "Razor" movie). I'm reading the unauthorized oral history of BSG (both incarnations), So Say We All, and I just got to the section about the mini-series.
• "Lost": Another show whose ending (indeed, the entire last season) didn't make sense, but was still captivating throughout its entire run. The framework of mixing present day scenes with flashbacks (and then that mindblowing flashforward!) was subsequently adopted by one of my all-time favorites, "Once Upon a Time." [Strangely, "Once Upon a Time" did not make the NYT list, perhaps because it was too mainstream?]
• "Veronica Mars": A teen noirish mystery that launched Kristen Bell's career. I didn't watch the third/last season, and haven't gotten around to the movie either, but that first season was twisty.

On the "just missed the cut list" of the NYT:

• "Justified": This would also make my all-time list. I used to think Captain Kirk was the coolest character on TV, and Jack Bauer was the most interesting. Kirk has been supplanted by Deputy U.S. Marshal Raylan Givens, whose misadventures in Harlan County, Kentucky, were laconically intriguing. I loved how Givens' character could be summed up in an eight word sentence he once told a bad guy: "You make me pull, I'll put you down." And of course he would make sure that he was justified in shooting.

But there are also a number of shows on the list that I, while possibly acknowledging their greatness, never watched or tried to watch but never really got hooked on:

• "The Wire": I know that it is a common opinion that this is the best show ever in the history of television. I just found it dull and populated with boring characters. It's not that I don't appreciate characters with shades of gray -- notice that I loved "The Shield," and the main character in that is a bad guy! Pretty much every actor in "The Wire" that I've seen elsewhere has been better elsewhere, from Lance Reddick in anything, to Wendell Pierce in Amazon's "Jack Ryan," to Michael B. Jordan in "Black Panther."
• "Grey's Anatomy": I've never watched this, so it isn't entirely fair for me to question its placement, but another procedural/soap opera didn't sound interesting to me. (It's also weird to me that this made the list but "Scandal" did not. See below for more on that.)
• "The West Wing": This has seemed to me like the left-wing version of "24." Each presents a fantasy world where its proponent's fears are being realized, and stopped only through the proponent's heroism.
• "Breaking Bad": I need to watch this. A major reason I haven't yet is that I'm not ready for my image of the goofy dad from "Malcolm in the Middle" to be overwritten by Walter White/Heisenberg.

And then there are the post-Sopranos shows that are on my list but absent from the NYT:

• "24": Yes, it's more fantasy than "Battlestar Galactica" in a lot of ways, but for sheer adrenaline rush, there's nothing like it. I watched every season as it aired starting halfway through season 2, then watched them all on DVD, and then over the course of several months streamed them all while running on the treadmill. My wife has asked me how I can watch it over and over, and the answer is, I can never get enough of Kiefer Sutherland's intensity as Jack Bauer, yelling, "Tell me where the bomb is!! There's no time!!"
• "Once Upon a Time": I didn't think this would be good, but I TiVo'd the pilot episode to give it a try. Within 10 minutes, I was hooked by the magical look of the Enchanted Forest in the flashbacks, and the puzzle of matching the present day residents of Storybrooke to their fantasy counterparts. And this is a show that featured multiple strong female characters (Emma Swan. Regina/Wicked Witch, Mary-Margaret/Snow White) who easily satisfied the Bechdel test every episode. (I didn't watch the last season, though, which was a soft reboot; the season 6 finale seemed to me to be a very good series finale.)
• "The Last Ship": Military valor, end of the world pandemic, conspiracies -- yeah, I'm a sucker for all of that.
• "Scandal": Another show that was basically fantasy, but it was as addictive as "24" was. I loved it whenever Olivia Pope was in "I'm in control" mode, which was most of the time. I liked it a lot less when she in "I'm moping over President Grant" mode.
• "Star Trek: Discovery": I get that it's controversial. It's a lot darker than the usual Trek series (even "Deep Space Nine"). But I like that. Based on season 1 (I watched the DVDs, so can't watch season 2 yet), it's my second favorite Trek series. It could move up to #1 with more excellent seasons. It would have to get a lot worse to drop to #3.
• "Hawaii 5-0": I don't claim that "Hawaii 5-0" is good in the ways that critics view shows. I find it hilariously entertaining, less so in the mystery of the week than in the character interaction (no show is complete with McGarrett and Dann-o bickering, and without the shrimp truck guy), and it's the only show on TV I can think of that features multiple regular actors who are of Asian descent, which is worth supporting alone for the Asian diversity factor (even if the show ended up making Daniel Dae Kim and Grace Park leave because they weren't paid the same as Alex O'Loughlin and Scott Caan).

Quick thoughts on some of the ABC shows coming this fall

TV by the Numbers has a helpful post with embedded trailers for the new pilots that ABC has ordered and put into the fall schedule. I watched the ones that looked interesting to me, and here are my thoughts:

The Inhumans



The trailer doesn't show anything, but I'm a sucker for the Marvel Cinematic Universe, and Inhumans have been embedded into the story DNA of Agents of S.H.I.E.L.D. for a few seasons now, so I'm already invested.


Ten Days in the Valley



This stars Kyra Sedgewick as a single mom who's a writer for a TV cop show. Her daughter gets kidnapped, and somehow life starts imitating art - as in, the storylines that she's writing. I think I'm going to give this a pass. The trailer - at least, as much as I watched before deciding it's not for me - is pretty grim, and I don't think I want to sign on for a serial where the main storyline is "where's my child?" I mean, I did for the Ashley Judd-vehicle Missing, which turned out to be pretty good, but that ended well because the show lasted only half a season and tied up the main storyline. If Ten Days in the Valley is a hit, it'll get renewed.... I guess it's possible the writers will come up with a new hook for a second season, but it's still a pass.


The Crossing


 

This looks pretty weird. Bodies wash up on the shore, and 47 of them are alive. It appears that they are from the future(?). It kind of reminds of the Sci-Fi Channel series The 4400, which I liked a lot, so I'm willing to give this a try. As with all high-concept serialized dramas from ABC, however, one must factor in the risk of a strong start dragged down by too many out of control storylines - FlashForward is the prime offender in this category, but V, Lost, and others suggest it's a trend.


Deception


 

I'm normally not so much into crime of the week procedurals (Hawaii 5-0 being a notable exception, but that's more for the island scenery and the character banter than the actual mysteries), but this entry in the civilian with special skills helps law enforcement as a special consultant category looks polished. The civilian with special skills is an illusionist, making this sound like Castle with David Copperfield instead of Richard Castle. Well, I like watching magic acts, so I'll give this a try.


For the People



From Shonda Rhimes, this show pits fresh new Assistant U.S. Attorneys against fresh new Federal Public Defenders. Rhimes-produced shows are batting .500 for me - I like Scandal and (the canceled) The Catch, while I've never watched Grey's Anatomy and I quit How to Get Away with Murder after the pilot episode. .500 isn't a bad average for TV shows, but I tend not to like law related shows, especially ones that take themselves too seriously, so I think this is a pass for me.

***

I'll continue to give quick and dirty thoughts on the new pilots for the other networks.

My recap of the fall 2014 TV season

Now that the fall 2014 TV season is over, pretty much all network shows are going into repeats or hiatus until after the new year, and in some cases, until late winter/early spring. Overall, I thought it was mildly disappointing even compared to recent years, and a far cry from the golden era of the mid-2000 decade, when "24," "Prison Break," "Lost," and "Battlestar Galactica" were all on the air at the same time.

New Shows

There were a number of new shows that I was excited about: "Gotham" (Fox), "How to Get Away With Murder" (ABC), and "Scorpion" (CBS). But "Gotham" ended up being too relentlessly grim and bleak for my tastes; since we know(?) how the show will end, Detective Gordon can't win against the bad guys, and things will just get worse and worse. It certainly seemed well-done, though.

The "How to Get Away With Murder" pilot was anything but boring. Unfortunately, included in "anything" was utter ridiculousness and a complete lack of any likeable characters. It's not that I expected it to be slavishly realistic about law and law school. One of the few law-related shows I enjoyed was "Boston Legal," which was hardly realistic. The difference is that "Boston Legal" didn't even pretend to be serious, whereas "How to Get Away With Murder" seemed to want to be taken seriously.

Finally, "Scorpion" was kind of like "Mission: Impossible" with all nerds + Katharine McPhee. It came across as a show about what Hollywood thinks geniuses are like.* It was okay, though implausible; but somewhere around the eight episode or so, I realized I'd had it running on the TV and had been paying no attention to it. I deleted the season pass and haven't missed it since.

* The scene in the Vegas episode where O'Brien defends himself in the bail hearing by arguing that it would be impossible to find a jury of his "peers" - meaning 190+ IQ persons - was kind of funny, I'll admit.

Oddly, the one new show that I've liked is one I wasn't planning on watching at first, and in fact, I missed its premiere; fortunately, it re-aired the following night. That would be "The Flash" (CW). Granted, as between Marvel and DC comics, I definitely prefer the former, and that bias is probably why I was going to pass on "The Flash." But it's actually a refreshing change from most superhero shows where the main character is brooding, damaged, etc. I just wish they would wrap up the unrequited love storyline....

There are some new shows debuting in the spring, but "Marvel's Agent Carter" is the only one I'm likely to give a chance. Besides, season 5 of "Justified" should be hitting Amazon Prime in a month or so, so I've got that to look forward to for any spare TV watching time.

Returning Shows

I've stuck with "Once Upon a Time" (now in season 4), "The Blacklist" (season 2), "Marvel's Agents of SHIELD" (season 2), "Person of Interest" (season 4), "Survivor," "Scandal" (season 4), "Hawaii 5-0" (season 5), and "Grimm" (season 4).

I did watch a lot of "The Voice" as well, but my HD antenna was having trouble with the NBC feed for a while, and on top of it, I couldn't remember any of the contestants, which is not a good sign for a reality TV competition! I did like the episodes with Taylor Swift as the guest mentor, though. I'd come back to watch the show if they add her as a judge.

As for the rest, "SHIELD" seemed to continue the generally higher level of quality ever since the crossover with Captain America 2: The Winter Soldier. "Person of Interest" too has gotten really good with the heavily serialized story arc of Samaritan vs. the Machine. "Hawaii 5-0" continues to offer outstanding scenery with a mash-up of "The Odd Couple" and the mystery of the week. "Grimm" has sent Trubel off somewhere, leaving it open for a possible spin-off, I suppose. And "Once Upon a Time" remains my favorite show on air right now, although I didn't think the winter finale had anywhere near the same impact as last winter's finale did. Then again, I continue to think last winter's finale should have been the series finale.

Is there a better TV theme song than the one from "Mission: Impossible"?

These days, I've taken to watching the beginning of "Mission: Impossible" on MeTV at 11:30 p.m., because the local news has ended and Jay Leno no longer hosts "The Tonight Show." (Yes, I am one of those seemingly rare people who preferred Leno to David Letterman.)

Right now, the episode rotation is late in the sixth season, which is when the show stopped sending the IMF team into unnamed foreign countries, and instead had them battling domestic gangsters who were "beyond the reach of conventional law enforcement." I find these episodes less fun than the ones set in foreign locales, so I haven't always stayed up to watch all the way to the end, or even to TiVo them for later watching.

I do, however, try to make sure to catch the opening sequence. It was such a clever approach to splice quick cuts of scenes from that episode with the casting credits, etc. (The only other show that I've seen do this was the re-imagined "Battlestar Galactica.") And of course, the fuse that burned its way across the screen, over and over.

But the best thing of all about the opening was the theme song:


Has there been a better TV theme song than the one from "Mission: Impossible"? Off the top of my head, I'd say the contenders are:

- "Hawaii 5-0" (so good that the current remake didn't bother with a new version)
- "MacGyver"
- "Star Trek: The Next Generation"
- "L.A. Law"
- "The Amazing Race"

Any others I've missed?

CBS's 2014-15 dramas -- my initial thoughts

CBS has announced its new dramas, and it had announced renewals a couple of months ago. There are a few shows whose fates are technically unknown but that I'd be surprised if they aren't canceled ("Hostages," "Intelligence," and maybe a few others). On the renewal front, "Person of Interest" and "Hawaii 5-0" are the only current CBS dramas that I care about. On to the new shows!