Quick thoughts on some of the ABC shows coming this fall

TV by the Numbers has a helpful post with embedded trailers for the new pilots that ABC has ordered and put into the fall schedule. I watched the ones that looked interesting to me, and here are my thoughts:

The Inhumans



The trailer doesn't show anything, but I'm a sucker for the Marvel Cinematic Universe, and Inhumans have been embedded into the story DNA of Agents of S.H.I.E.L.D. for a few seasons now, so I'm already invested.


Ten Days in the Valley



This stars Kyra Sedgewick as a single mom who's a writer for a TV cop show. Her daughter gets kidnapped, and somehow life starts imitating art - as in, the storylines that she's writing. I think I'm going to give this a pass. The trailer - at least, as much as I watched before deciding it's not for me - is pretty grim, and I don't think I want to sign on for a serial where the main storyline is "where's my child?" I mean, I did for the Ashley Judd-vehicle Missing, which turned out to be pretty good, but that ended well because the show lasted only half a season and tied up the main storyline. If Ten Days in the Valley is a hit, it'll get renewed.... I guess it's possible the writers will come up with a new hook for a second season, but it's still a pass.


The Crossing


 

This looks pretty weird. Bodies wash up on the shore, and 47 of them are alive. It appears that they are from the future(?). It kind of reminds of the Sci-Fi Channel series The 4400, which I liked a lot, so I'm willing to give this a try. As with all high-concept serialized dramas from ABC, however, one must factor in the risk of a strong start dragged down by too many out of control storylines - FlashForward is the prime offender in this category, but V, Lost, and others suggest it's a trend.


Deception


 

I'm normally not so much into crime of the week procedurals (Hawaii 5-0 being a notable exception, but that's more for the island scenery and the character banter than the actual mysteries), but this entry in the civilian with special skills helps law enforcement as a special consultant category looks polished. The civilian with special skills is an illusionist, making this sound like Castle with David Copperfield instead of Richard Castle. Well, I like watching magic acts, so I'll give this a try.


For the People



From Shonda Rhimes, this show pits fresh new Assistant U.S. Attorneys against fresh new Federal Public Defenders. Rhimes-produced shows are batting .500 for me - I like Scandal and (the canceled) The Catch, while I've never watched Grey's Anatomy and I quit How to Get Away with Murder after the pilot episode. .500 isn't a bad average for TV shows, but I tend not to like law related shows, especially ones that take themselves too seriously, so I think this is a pass for me.

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I'll continue to give quick and dirty thoughts on the new pilots for the other networks.

Random thoughts about fall 2015 TV shows

Most of my current TV shows are entering hiatus, having aired their winter finales. I've got questions about them. [SPOILERS AHEAD for "Grimm," "Supergirl," "Marvel's Agents of SHIELD," and "Once Upon a Time."]

- On "Grimm," there is a mayoral candidate who's been on the City Council for the past 8 years, and claims his district is #1 in terms of job growth. Considering that "Grimm" is not just set in Portland but also filmed here, you would think the writers would've been able to figure out that Portland elects its city councilmembers at-large, not by district.

- I get that Supergirl is largely invulnerable because of her Kryptonian background and something about the sun's yellow radiation, but her costume is made from Terran materials. When she steps in front of an out-of-control train and uses herself to slow it down, how do her boots not get eroded to nothing by friction?

- One of the results of watching as much TV as I do is that I start recognizing potential twists because, at a meta-level, it's what would be surprising. In "Agents of SHIELD," the Hydra sleeper Grant Ward takes nerd Fitz and some Hydra redshirts to the alien planet via the black monolith portal, in an effort to grab the alien god or something. Fitz's unrequited love Simmons spent several years on the alien planet, surviving only because of the presence of stranded human astronaut Will, with whom she fell in love. Fitz finds the astronaut's underground home, tries to escape from Ward, but ends up getting himself and Will captured. Hmm, I thought, I wonder if that's really the astronaut ... or if he's the alien god? Sure enough, "Will" turned out to be just a shell, with the real human having been killed covering Simmons' previous escape. And when Fitz "killed" the body with a flaregun, we later saw a silvery substance slither out of the charred remains - all of which reminded me of the black oil from "The X-Files" and the body-stealing alien from the underrated sci-fi horror flick The Hidden.

- In the resolution to "Once Upon a Time's" "Dark Swan" arc, Emma gets freed of the darkness when Captain Hook sacrifices himself to stop the revived Dark Ones, by sucking them into the sword Excalibur, which he then begs Emma to use to kill him. She does, but only later does she learn that Rumplestiltskin charmed the sword to become a conduit, rather than a vacuum, so that all of the darkness flowed into him, reinvigorating him as an uber-Dark One. Emma forces him to help her open a portal to the Underworld so she can rescue Hook; he agrees to do so because she threatened to reveal his treachery to his love Belle. All fine and well, but in the next scene, it's not just Emma and Rumple at the river Styx. Snow White, Charming, Regina, Robin Hood, and Henry are all there! Now, first of all, why oh why would you bring Henry on a journey to the freaking underworld?!? But more importantly, how does Emma explain to the others that Rumple can open a portal to the underworld? Doesn't this mean the others also know that he's back to being the Dark One?

UPDATE (12/15): Is Kara Danvers' (aka Supergirl) catty boss Cat Grant the smartest human ever in comic book TV history? I realize that Kara puts on glasses and ties her hair back in the ponytail to "disguise" herself, so it's a good thing she doesn't give in to vanity to get contact lenses. But Cat notices some interesting coincidences, corners Kara, and asks her to take her glasses off.... Wow, someone in a comic book show actually figured out a superhero's identity by, you know, observing things!

My recap of the fall 2014 TV season

Now that the fall 2014 TV season is over, pretty much all network shows are going into repeats or hiatus until after the new year, and in some cases, until late winter/early spring. Overall, I thought it was mildly disappointing even compared to recent years, and a far cry from the golden era of the mid-2000 decade, when "24," "Prison Break," "Lost," and "Battlestar Galactica" were all on the air at the same time.

New Shows

There were a number of new shows that I was excited about: "Gotham" (Fox), "How to Get Away With Murder" (ABC), and "Scorpion" (CBS). But "Gotham" ended up being too relentlessly grim and bleak for my tastes; since we know(?) how the show will end, Detective Gordon can't win against the bad guys, and things will just get worse and worse. It certainly seemed well-done, though.

The "How to Get Away With Murder" pilot was anything but boring. Unfortunately, included in "anything" was utter ridiculousness and a complete lack of any likeable characters. It's not that I expected it to be slavishly realistic about law and law school. One of the few law-related shows I enjoyed was "Boston Legal," which was hardly realistic. The difference is that "Boston Legal" didn't even pretend to be serious, whereas "How to Get Away With Murder" seemed to want to be taken seriously.

Finally, "Scorpion" was kind of like "Mission: Impossible" with all nerds + Katharine McPhee. It came across as a show about what Hollywood thinks geniuses are like.* It was okay, though implausible; but somewhere around the eight episode or so, I realized I'd had it running on the TV and had been paying no attention to it. I deleted the season pass and haven't missed it since.

* The scene in the Vegas episode where O'Brien defends himself in the bail hearing by arguing that it would be impossible to find a jury of his "peers" - meaning 190+ IQ persons - was kind of funny, I'll admit.

Oddly, the one new show that I've liked is one I wasn't planning on watching at first, and in fact, I missed its premiere; fortunately, it re-aired the following night. That would be "The Flash" (CW). Granted, as between Marvel and DC comics, I definitely prefer the former, and that bias is probably why I was going to pass on "The Flash." But it's actually a refreshing change from most superhero shows where the main character is brooding, damaged, etc. I just wish they would wrap up the unrequited love storyline....

There are some new shows debuting in the spring, but "Marvel's Agent Carter" is the only one I'm likely to give a chance. Besides, season 5 of "Justified" should be hitting Amazon Prime in a month or so, so I've got that to look forward to for any spare TV watching time.

Returning Shows

I've stuck with "Once Upon a Time" (now in season 4), "The Blacklist" (season 2), "Marvel's Agents of SHIELD" (season 2), "Person of Interest" (season 4), "Survivor," "Scandal" (season 4), "Hawaii 5-0" (season 5), and "Grimm" (season 4).

I did watch a lot of "The Voice" as well, but my HD antenna was having trouble with the NBC feed for a while, and on top of it, I couldn't remember any of the contestants, which is not a good sign for a reality TV competition! I did like the episodes with Taylor Swift as the guest mentor, though. I'd come back to watch the show if they add her as a judge.

As for the rest, "SHIELD" seemed to continue the generally higher level of quality ever since the crossover with Captain America 2: The Winter Soldier. "Person of Interest" too has gotten really good with the heavily serialized story arc of Samaritan vs. the Machine. "Hawaii 5-0" continues to offer outstanding scenery with a mash-up of "The Odd Couple" and the mystery of the week. "Grimm" has sent Trubel off somewhere, leaving it open for a possible spin-off, I suppose. And "Once Upon a Time" remains my favorite show on air right now, although I didn't think the winter finale had anywhere near the same impact as last winter's finale did. Then again, I continue to think last winter's finale should have been the series finale.

Late review of Fox's "Gotham" and the season premiere of ABC's "Agents of SHIELD"

Fox's "Gotham" might have gotten the highest level of buzz during the summer, so I was pretty keen on checking it out. I'm not the biggest superhero story fan (unless you consider Jack Bauer to be a superhero), but "Gotham" has an undeniably appealing concept: what was the city of Gotham like before Bruce Wayne became Batman?

To be clear, this is not the 1960s Adam West/Burt Ward campfest. It's not even the Michael Keaton/Val Kilmer/George Clooney series of movies, which while considerably more serious than the TV series, were still full of bright colors. Nope, this is very much in the style of the Christian Bale "Dark Knight" trilogy: dark, grim, unrelenting, and mostly unhappy.

Thoughts on the season 1 finale of ABC's "Marvel's Agents of SHIELD"

ABC's "Marvel's Agents of SHIELD" had its season finale last night, and I took a needed break from grading final exams to watch it. What did I think?

ABC 2014-15 dramas -- my thoughts

ABC announced a number of renewals and new dramas today. Of particular interest to me were "Once Upon a Time," "Scandal," and "Marvel's Agents of S.H.I.E.L.D.," all of which were expected renewals.

What about the new dramas? Collectively, they look heavy on serialized mysteries/conspiracy theories. Here are some first impressions based on the brief descriptions:

ABC's "Marvel's Agents of S.H.I.E.L.D.": dramatic improvement since "Captain America 2" came out, but is it too late?

ABC's unwieldily named "Marvel's Agents of S.H.I.E.L.D." debuted in the fall with really strong ratings, but it quickly sank to the ranks of mediocrity - and deservedly so. Most of the lead characters were boring, and the show fell into a rote dangerous villain of the week pattern. There was some head bad guy named The Clairvoyant, and some recurring dudes with metallic centipede-like things on their forearms, but it was mostly boring. Not so boring that I stopped watching, but it certainly seemed disappointing compared to the high expectations that it had generated.

Then came the episodes that bracketed the debut of "Captain America 2: The Winter Soldier" in the movie theater, and the show quickly picked up. But is it too late?